M.A., Ph.D., D.Litt.(Honoris Causa), Khyalist
Born on February 21, 1927 in a family of rich musical
            tradition dating back one hundred and fifty years Pandit Amiya
            Ranjan Bandyopadhyay is among the best exponents of Khayal in the
            country. Son and disciple of Sangeetacharya Satya Kinkar
            Bandyopadhyay, Pandit Bandyopadhyay is the scion of the Bishnupur
            gharana. Today Pandit Amiya Ranjan Bandyopadhyay is one of the
            senior most Khayalists still performing at the top of his form.
            
            Since the nineteen fifties Pandit Bandyopadhyay has remained an
            established and highly esteemed artiste. He is a 'Top' grade artist
            of All India Radio and Doordarshan. He has been performing at all
            the major music festivals and gatherings of the country and has
            travelled to America and Europe to perform and lecture on Indian
            Classical Music.
            
            A disciplined yet creative elaboration of the Ragas, aesthetic and
            tuneful voice technique, extreme clarity and unmatched precision of
            taankarl, and underlying sense of rhythm, absence of gimmickry and
            generally a matured synthesis of cerebration and emotive content in
            his music have given the form of Kheyal a new dimension,
            contemporary in presentation and traditional in analysis.
            
            The combination of artistry and analytic mind has made him a natural
            Guru who carefully nurtures the inner talent of a pupil. Many of his
            students are now established in their own rights. His own son
            Santanu Bandyopadhyay is among the most notable young classical
            vocalists of the country. Pandit Bandyopadhyay's brother Sri Nihar
            Ranjan Bandyopadhyay also received training from him and is among
            the established vocalists.
            
            Pandit Bandyopadhyay was one of the founding father and Head of the
            Department of Vocal Music of Rabindra Bharati University. He retired
            in 1992 as Professor of Music after more than thirty years of
            dedicated teaching. In the year 2000 he acted as a Visiting
            Professor of Music in Viswa Bharati. He still features in selection
            Board of several Universities.
            
            Pandit Amiya Ranjan Bandyopadhyay is a unique and outstanding figure
            in the music world, a top quality performer, and ardent thinker and
            researcher and a dedicated Guru, rolled into one.
            
            Pandit Amiya Ranjan Bandyopadhyay has been conferred with the
            distinguished academic degree of Doctor of Literature (D.Litt) from
            Rabindra Bharati University on 8th May 2018 and Doctor of Literature
            (D. Litt) from Sidho-Kanho-Birsha University on 2019 
| 
                       Bahadur Khan  
                     | 
                  
| 18th Cent. Descendant of TANSEN Court Musician - Raghunath Singh - II of Mallbhum (Vishnupur)  | 
                  
| 
                       Gadadhar Chakraborty  
                     | 
                  
| 
                       Ramshankar Bhattacharya  
                     | 
                  
| 1761 - 1853 A specific and distinguished style of Dhrupad originated as a result of Ram Shankar's musical brilliancy and the style thus named as Vishnupur Gharana later on  | 
                  
| 
                       Anantalal Bandyopadhyay 
                     | 
                  
| 1832 - 1896 | 
| 
                       | 
                  
| 
                       Gopeswar Bandyopadhyay  
                     | 
                  
| 1880 - 1963 Son Regarded as one of the best exponents of Dhrupad  | 
                  
| 
                       | 
                  
| 
                       Satya Kinkar Bandyopadhyay  
                     | 
                  
| 1899 - 1980 Versatile genius - expert both in Vocal (Dhrupad, Khayal etc.) and instrumental music (Sitar & Surbahar)  | 
                  
| 
                       | 
                  
| 
                            Amiya
                          Ranjan Bandyopadhyay  
                     | 
                  
| 1927 Son The Khayal style has been reformed at this stage keeping parity with the modern trend of music  | 
                  
                    
  | 
                |||||||||||||||||||||||||||||||||||||||||
                    
  | 
                |||||||||||||||||||||||||||||||||||||||||