Achievement
   

In the year 1999, she got National Scholarship in Hindustani Classical Music. She is performing all around the country and her performance has been widely acclaimed among the general music-buffs as well as the connoisseurs, which is evident from the reviews published in eminent papers. She has performed in noteworthy concerts Calcutta, Agra, Patna, Madhya Pradesh, Sagar, National Kathak Dance Seminar, organized by U. G. C. and many other places.

Recipient of "National Scholarship", "Abhinaba Kala Samman (Bhopal)", Sangeet Kala Ratna (Matri udbodhan Ashram Patna)"and many more.

Graded artist of All India Radio in Khayal, Thumri and Bhajan. An affiliated artist of EZCC and ICCR.

Junior Fellowship from Ministry of Culture organised by The Central Government.

 
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  Press Clippings
........ She has a good 'taalim' & her sincere presentation of raga, 'surdasimalhar' was marked with illustration of long "meend", "bahalba", "pukar" & "kahan" ..... with proper knowledging of the raga. .....Drut trital was furnished with clear & tuneful gamak tans......... Suchisree is blessed with a bold voice that glides through three octaves .....
- The statesman, 7th October, 2005 (Kolkata)
 
........ "But it took off the moment Shuchisree Ray began her recital in the power packed Agra Gwalior Style ..... repete with imaginatine behalawa, bol-baant & variety of taan. Her deft handling of a complex composition in drut teentaal brought out the pieces lyrical beauty explicitly"
 
- Hindustan Times, September 8, 2005.
 
........ Shuchisree Ray, disciple of Pt. Kumar Prasad Mukherjee & Pt. Manas Chakraborrtty, shows her depth in “taalim” by the versatility of her expression in the concerned field……Noteworthy, when Suchisree rendered Mirjapuri – Kajri – “rimjhim parela fuhar”, - it was really raining outside the Auditorium. Suchisree, enriched by the Dynasty of Great Mahadeo Prasad Mishra, introduced the listeners of “Saugor” with the rare collections in Kajri, Chaiti, Bolbat, as well as Bol-banao Thumri, Banarasi Tappa, as used in the Kathak Style of Classical Dance.
Naba Bharata, 23rd January, 2002 (Bhopal)
 
........ Shuchisree Ray of Calcutta, started her performance in the raga Ramkeli by her mellifluous presentation of Alaap…..The distinctive features of Agra, Jaipur, and Gwalior Gharana are present in Suchisree’s style. Ascendance and Descendance of Notes, touch, Bol Baat, Meend, Murki, Gamak, different openings in taan, and several other aesthetic attributes in her demonstration, placed her in a Class.
Amar Ujala, 5th November, 2001 (Agra)
 
........ Shuchisree Ray from Calcutta, depicting her unmistakable talent as well as toiling tenancy, gliding through three octaves with her tuned effortless voice, not only drenched the listeners, but equally stole the heart of, the listeners by the bewildering avenues of Raagdari……In this Five-Day-long concert, Suchisree’s performance experienced the greatest reception and applause from the listeners as well as connoisseurs.
 
Dainik Jagaran, 31st August, 2001 (Bhopal)
 
 
 
 
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