Somabanti Basu is amongst those few female Sarod players of this generation seeking new directions  through the misty labyrinth of this instrument of Persian origin. 
                  Somabanti  grew up in a family dedicated to music. Encouraged by her elders, she picked up  the Sarod at a very tender age under the tutelage of Sri Robi Laha, a disciple  of Late Pandit Radhika Mohan Maitra. She was performing regularly in various  local concerts where her renditions as a promising child artist drew the  attention of music experts. Later she went through intensive training in the  truest traditions of ‘Guru-Shishya Parampara’ under renowned maestro Ustad  Ashis Khan and Smt. Amina Parera (d/o Ustad Ali Akbar Khan) of the Maihar  Gharana. 
                  A  Science graduate from Calcutta University she completed her post graduation in  instrumental music with distinction from Rabindra  Bharati University,  Calcutta. 
                  As  a young artist, she participated in several prestigious music competitions and  was adjudged the best performer in Dover    Lane, Ravi Kichlu talent search, All India Radio  and many others. 
                   She  was awarded the 'National Scholarship' by the Department of Human Resource  Development, Govt. of India. 
                  Somabanti  has delighted the connoisseurs at Music Circles in India and abroad. She has extensively travelled Europian countries and performed at major festivals and cultural centres in Germany, France, Austria, Dennmark, Sweden, Switzerland etc.   The accuracy and intensity of her performance has stunned the audience. 
                  Somabanti  bears the torch of the rich Maihar Gharana which was founded by late Ustad Baba  Allauddin Khan Sahib. The Maihar Gharana has produced great maestros like Ustad  Ali Akbar Khan, Pandit Ravi Shankar, Smt. Annapurna Devi, Pandit V. G. Jog,  Pandit Nikhil Banerjee to name a few. 
                    While being deeply embedded in her rich 
                      tradition, Somabanti absorbs other techniques and styles 
                      into her music. Her style cuts across borders, a post modern 
                      'global' attitude which earmarks her generation. 
                  She  has been identified by eminent music critics as an artist of great potential. A  perfectionist to the core she engages herself in relentless Sadhana as she  continues to interpret the contemporary with the language of the Timeless.   |