An adaptation from Harold Pinter's "The Home Coming"

Sri Avik Mitra, a professior in J.N.U. comes to visit his parental home at Siliguri with his wife Ena and finds his family still living in the said house. In the conflict that follows, it is Ena who gradually becomes the focus of the family's resurrection from mental destitution.

This play was first staged on 29th August 1994.

Inspired by Lorraine Hansberry's "A raisin in the Sun"

Mahamaya Sen and her family are forced to leave their ancestral home in Bangladesh in 1971 and pick up the threads of life once more, soon to be deserted by her husband. Amidst joys and sorrows, and vicissitudes of fortune they only accumulate numerous experiences of life. Yet though the path of life is not a smooth one, they can still dream and Mahamaya along with her elder son Manjul, daughter-in-law Subha, daughter Bulbul, and youngest son Apu, cling the hope and dream.

This play was first staged on 21st August 1996.

With the aim to re-interpret the classical epic Ramayana from a sociological standpoint in order to prove its relevance in the modern world and to instill appreciation for our traditional values among the younger generation and in order to show the spirit of India as depicted in Ramayana.

Sudrayana was first staged on 01.02.1998.

The drama relates to the conflict between Mahayana Buddhism's endeavours at social reforms and the Vajrayana Buddhist sect's narrow individualist approach that was in prevail in Bengal, one thousand years ago to this had been added the conflict between Buddhism and Brahmanical Hinduism on one side and the conflict between rich trading community and the struggling sailor-fisherman-kaivarta class on the other side who wanted their independence from oppression of the trading merchant community, with the help of the Mahayana Buddhists and Atisha Dipankara, the first Bengali intellectual has become the catalist .

This drama was first staged on 09.01.2000

This drama is apparently based on an age old fairy tales of Bengal. A king activated by a pair of horns on his head is bent upon bringing the world within his grasp. He gives two options, that of surrendering to him or give him battle. There is a scientist to help him with weapon of mass destruction and the legendary heroes Lalkamal and Neelkamal. In Diksunnipur lives a barber named "Bhavam" who though fearful by nature is wise and honest. Under the direction of Talking Bird "Bangama" and others Bhavam and his constant companion Mule (Khachhar) agree to give battle to the Horned-King. If Bhavam wins, he will save the world. Will people like Bhavam have a chance against the might of the evil forces?
                                                        This drama was first staged on 11.01.2004.

In the year 2005 the Youth Services Department of the Government of West Bengal, organized a Theatre Festival in order to celebrate the 50 years of Anti-Fascist Movement and the 75th birth anniversary of the great theatre activist, late Utpal Dutta. Sanglap Kolkata took the challenge to stage "Ferari Fouz" - one of the most successful productions of late Dutta and his group L.T.G.

Almost at the evening Nabin is going to Haripur, his home village along with an amount of rupees Thirty five thousand in his possession. Uncle Haribole considering this journey through the vast tract of Bhurpun, handed over to Nabin the stick of Sadhubaba for his security and safety. Because inside the dilapidated fort which is adjacent to said Bhurpun field the two most notorious dacoits Genni and Pyana are awaiting to snatch the said money from Nabin. Their accomplice Nemai has already been an acquaintance of Nabin in this journey. The drama portraits the plight of Nabin in reaching his home safely with the help of the stick of Sadhubaba which is a symbol of honesty and courage and also proved that the common people shall overcome any impediment with their sheer determination, honesty and courage.
This drama was first staged on 08.11.2008.