“His
life revolves around the creative pie of which, performing arts
form an integral part. Having already earned a niche for himself
in the realm of Indian Classical Dance as a proficient performer,
excellent trainer and an innovative coreographer, Arnab Bandyopadhyay
has indeed marched a long way”.
–
The Asian Age, Kolkata, 14.08.2005
"Darpani
looks back towards the root of Indian Culture, under guidance
of Arnab Bandyopadhyay. In solo presentation "Ahe Nilo
Sailo" Arnab added a new horizon in descriptive acting
and delicate posture.
-
Ananda Bazar Patrika, 10.07.2004
The
solo performance “Dasabatar” by Arnab, the quite competent disciple
of Guru Kelucharan Mahapatra is simply superb for his elegant
foot work, graceful expression and lovely application of Abhinaya
and Pure Dance”
–
Aajkaal, 12.06.2001
Bharatnatyam
and Odissi in both Dance styles, Arnab is an equally skilful
artiste.The evening became sonorous with the rhythm of dance
by Arnab Bandyopadhyay and his disciples.
–
Saptahik Bartaman, 06.10.2001
A
firm grounding in four dance styles Bharat Natyam, Odissi, Folk
and contemporary dance was the capital for Arnab Bandyopadhyay
to start the Darpani Dance Academy.
–
Hindustan Times, Kolkata, 24.07.2001
The
First Part of the evening concluded with "Ardhanarishwar".
In this solo number, Bandyopadhyay explored both tandava and
lasya with verre and grace, the performance was commendeable.
Bandyopadhyay was neat and precise in his exclusion of the chouka
and tribhangi and his expression was praise worthy.
In
search of excellence :–Sharmila
Basu Thakur
-
The Telegraph, 14.07.2007
Under
the direction of Arnab Bandyopadhyay the whole programme was
well designed with both classical and contemporary choreography
which was a strong evidence of his dance imagination, and
was symbolic of his hard practice. The spectators were not
only spell bound by seeing the Bharatanatyam and Odissi dance
but also they were moved to see the dance in accordance with
“PHIRE ESO AAGOON” poem written by modern poet Shubo Dasgupta.
–
Sambad Pratidin, 14.09.2001
Arnab from kolkata in his odissi dance recital at the
India International Centre, showed himself as a dancer equipped
with fine technique interpretative skills. The Mohanam pallavi
and Yugama Dwanda were flawless. "Ahe Nilo saila"
the janano was very convincingly rendered.
-
Leela Venkataram, The Hindu, New Delhi, 10.10.2000
Arnab's exceptional imagination - an usual attractive
audio-visual illusion based on nice background score represented
by Darpani, choreographed by Arnab. A magnificient blend of
practice and dedication reflected in the whole production,
with the touch of intelligence.
- Ananda Bazar Patrika, 14.01.2006
Arnab
is as good as a dancer as well as a 'Nritya Guru', his group
presentation is appreciated in the same manner as his solo
presentation.
-
Sahara Samay, 19.07.2005
The
idea stage craft, choreography and above all with his own
excellence & skill in dance, Arnab proved himself really
praiseworthy.
Bharatnatyam
and Odissi in both Dance styles, Arnab is an equally skilful
artiste.The evening became sonorous with the rhythm of dance
by Arnab Bandyopadhyay and his disciples. 
Under
the direction of Arnab Bandyopadhyay the whole programme was
well designed with both classical and contemporary choreography
which was a strong evidence of his dance imagination, and
was symbolic of his hard practice. The spectators were not
only spell bound by seeing the Bharatanatyam and Odissi dance
but also they were moved to see the dance in accordance with
“PHIRE ESO AAGOON” poem written by modern poet Shubo Dasgupta.